Forming a Crew

I appear to be building a crew.

This wasn't a plan so much as something that kept happening to me. Two people in one day, through routes that had nothing to do with each other, and I said yes to both of them without a lot of deliberation, and now I have to think seriously about whether there's enough room on the Frontier.

The first was a woman at Gal-Bank who had no business being at Gal-Bank, at least not for the reason she said she was there.

Muira Siarkiewicz. Properly goth, waiting in the same line I was waiting in, with the precise droll delivery of someone who's spent years developing a whole strategy around being underestimated. We started talking the way you do when you've been standing somewhere long enough, and I asked what had brought her in. She said she was applying for a job. I asked — half-jokingly, because it seemed like the obvious question — why a bank specifically. She said she wanted to work for someone more evil than herself, and unfortunately that basically narrowed it down.

I told her, also half-jokingly, that there was a spot on my crew if the interview didn't pan out.

She looked at me for a moment with the expression of someone doing quiet math, and then said: come back in a few hours and we'll see.

I came back that evening. She was still there, sitting in the lobby with the particular stillness of someone who has received news they were already prepared for.

Not enough pep, apparently.

We negotiated. She knew what she was worth and said so clearly, which I'd been expecting after the bank comment, and I paid her sixteen thousand credits to come aboard the Frontier. I didn't blink at the number, which I think surprised her slightly. If you're going to have someone on your crew who wants to work for someone more evil than herself, you want her to have committed to the arrangement properly.

I got the impression she was frequently unbothered by things that should bother her. That's either a significant liability or exactly what you want.

I'm betting on the latter.

Back at the Lodge, VASCO asked me formally if he could join my crew.

I want to get this right because I'm not sure I've said enough about him. He's been with me since Vectera — before I had any idea what I was doing — and he's been consistent and competent and even funny at times, albeit unintentionally, and he's navigated us through every system we've crossed without complaint. He's Constellation's robot. He was supposed to be a temporary arrangement. But he stood there in the Lodge and formally requested, in his very correct way, to be part of whatever I was doing, and something moved in my chest that I didn't fully expect.

I said yes immediately.

Then Sarah found me with purpose in her walk, which I've already learned means there's a direction and I'm going in it.

She has a rumor about another artifact. A Vanguard pilot named Moara had apparently been bragging to anyone who'd listen about a strange find and using it as cockpit decoration. The kind of story that spreads because it's specific and because it's weird and because Moara apparently has no filter about who he tells things to. Her source was reliable. First step: MAST, and the UC Vanguard recruiter there, because that's who would know where Moara is stationed.

The recruiter's name was John Tuala. He recognized Sarah the moment we walked in, and the history between them rearranged the air in the room. He tried to get her to come back to the Vanguard. She declined with the measured patience and good humor of someone who has answered a question so many times they've moved past irritation into something closer to ritual. The rejection was received in the same manner.

Then he turned to me. He had the pitch ready before I'd said anything — fleet, structure, purpose, the full vocabulary of institutional belonging. I want to be honest: I thought about it for a moment. Not seriously, but the appeal is real. There's something to the idea of fitting into a system with clear rules and a visible chain of command, where the mission is always defined and the authority behind it is maintained and nobody's operating on the vague mandate of their own judgment. I know that world. I was born into a version of that world. I understand its logic.

But we weren't there for that. I said no and Sarah took over the conversation.

Moara is stationed in the Sol system.

I'd known, in the abstract, that Earth exists in this universe — that we're in the same history and the same sky. But there's a difference between knowing a thing abstractly and having someone say: that's where we're going. We're going to Sol. Which means I'm going to see Earth.

Sarah saw something on my face when we were going over the route. I don't know what I showed — not much, I hope — but enough. She'd assumed I knew what she knew, the way most people in 2330 know, and then she stopped mid-sentence and asked if this was news to me.

I said I'd been off the grid for a while.

She sat down. And then she told me.

I'll write it briefly because I can only process so much of it at once.

Earth's magnetosphere failed. That much is settled and agreed upon. Why it failed — nobody knows. Sarah said it plainly, without hedging: no explanation, no leading theory, nothing. Three hundred years and the question just sits there unanswered. The field went. And without it, the atmosphere had no reason to stay. It went too, over years, and what's left now is a bare, cold, irradiated rock covered in the ruins of everything we built. The cities are still there. The skylines are still standing in places. They're just not anyone's anymore.

Sarah was kind about it. That made it harder.

I grew up on Earth. I know how that sounds — everyone before 2203 grew up on Earth, more or less — but I mean I grew up there. I had a street and a neighborhood. A house. She's in that house right now, three hundred years behind this conversation, probably with the lamp on.

I don't know what that house looks like in 2330. Whether it's rubble or buried under something else or still standing in the ruins with the paint peeled off. There are probably records. There are probably photographs. I didn't ask Sarah any of that. I just sat there until it settled somewhere I could carry it, and then I said: we're going to Mars first anyway.

Cydonia, the mining colony on Mars. That's where we'll wait for Moara — Sol is where he's based, and Cydonia is a logical waypoint. It also happens to be convenient for other reasons. I've been carrying a letter for a woman in New Atlantis since my first week here, actual paper, sealed, for a friend she hadn't been able to reach. Someone is waiting on it in Cydonia. I'd been meaning to get there.

A woman sent a letter made of paper and ink because she wanted her friend to hold something real. That's all it is. Someone will be waiting on it and I'll deliver it, and then I'll find Moara, and then we'll figure out the artifact.

It's good to have something concrete to do.